Black American History

4 . Shuyler s account on the relationship between African American subterfugeists and their community and p cheaticularly their brotherly responsibility for it , content from the point that recently anticipated revolution of African art was in fact not so much telling in representing general African identity , but quite was limited to American culture : But these be contributions of a caste in a certain section of the hoidenish They be foreign to Northern Negroes , West Indian Negroes , and African Negroes (Schuyler , 1926Shuyler argues that such(prenominal) inability of Afro Americans to produce their distinct and what is more classical cosmopolitan Afro culture is because they are Americans in the first come send on and Afro-Americans in the second They are embedded in American social , cultural and economic context w hich includes speaking the same language , going to the selfsame(prenominal) churches having similar jobs and sharing the same social and economic problems with white population . The themes , used by Afro American in literature drama etc .

are , match to Shuyler are much the same of those used by face fabric Americans . In short , according to Shuyler , Afro Americans tend more to tattle their nationality , rather than their race . In these conditions , the main responsibility of real Afro-American artists is to avoid articulating racial differences between them and albumen AmericansThere is no denying th e importance of the fact , that Shuyler s po! sition has both military units and weaknesses . normal strength of this position is that it tries to avoid racial differences between Afro Americans and White Americans by arguing that...If you want to get a good essay, fix up it on our website: BestEssayCheap.com

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